Understanding that Paul McCartney has released approximately twice as many studio albums in his solo career post-Beatles compared to his time with the Fab Four can be a bit challenging. Those familiar with his recent live performances would recognize that a substantial part of his setlists comprises hits from the 1970s onward, complementing the timeless Beatles classics. Yet, within his extensive catalog, there exist songs that haven’t received the attention they deserve. Here, we present the finest among McCartney’s relatively unheard gems. Enjoy!
1. “Dear Boy” (1971)
McCartney’s inaugural solo album, “Ram,” stands out as a remarkable one-man studio project, occasionally featuring his wife Linda. Demonstrating his melodic prowess, clever production, and spontaneous songwriting, this track starts as a simple piano narrative about a man addressing his new love’s ex. The addition of backing vocals introduces countermelodies from various angles, creating a captivatingly tuneful experience.
2. “Dear Friend” (1971)
In response to John Lennon’s scathing “How Do You Sleep?” in 1971, which criticized Paul’s perceived lack of talent, McCartney’s reply was restrained and somewhat sorrowful. Featured on Paul’s first Wings album, 1971’s “Wild Life,” the song reflects on his post-Beatles life, pondering the place of his old friendship in it.
3. “Treat Her Gently/Lonely Old People” (1975)
Amidst the arena-rock vibe of Wings in “Venus And Mars,” McCartney takes a gentle approach in the album’s penultimate suite. Encouraging listeners to consider the elderly, this song, with its sing-along sway, showcases McCartney’s ability to seamlessly merge two distinct parts, proving his medley skills from the Abbey Road era remain undiminished.
4. “Beware My Love” (1976)
Despite the overall tepidity of “Wings at the Speed of Sound,” this fervent, almost unhinged rocker captivates through McCartney’s energy alone. Starting with a level-headed acoustic opening, it builds into a ceaselessly upward momentum, with lyrics that may not say much but are delivered with conviction, accompanied by instrumental hooks. Clocking in at over six-and-a-half minutes, it remains exciting throughout.
5. “I’m Carrying” (1978)
“London Town,” an underrated album in McCartney’s catalog, showcases Wings’ more subdued rock tendencies. Within this context, “I’m Carrying” stands out as a luscious ballad featuring Paul, delicately-plucked guitar arpeggios, caressing strings, and a romantically melodic atmosphere—perfect for a moonlit slow dance with your significant other.
6. “Wanderlust” (1982)
Found in “Tug of War,” a notable album containing smash singles and McCartney’s touching tribute to Lennon (“Here Today”), “Wanderlust” deserves more recognition. The song, celebrating the nautical life and the need for personal freedom, highlights George Martin’s production touches and McCartney’s ability to build from a quiet start to a sweeping finish, reminiscent of his classic “Hey Jude” days.
7. “Only Love Remains” (1986)
Despite “Press to Play” being considered a misstep in McCartney’s 1986 discography, “Only Love Remains” stands out. Producer Hugh Padgham applies just the right amount of gloss to this overlooked single, and its charms are undeniable. Releasing it as the lead single might have improved the album’s reputation, as it captures a lovely essence that is hard to resist.
8. “That Day Is Done” (1989)
A collaboration between Paul McCartney and Elvis Costello, “That Day Is Done” sounds like The Band and, against expectations, works wonderfully. The heartbreak tale from beyond the grave echoes the classic “Long Black Veil.” While the demo version with harmonizing by Macca and Elvis is stunning, the final studio take retains its soulfulness and haunting quality.
9. “Little Willow” (1997)
With Jeff Lynne’s fine production work on “Flaming Pie,” one of the peaks of McCartney’s solo career, “Little Willow” addresses the pain of Maureen Starkey’s death, Ringo Starr’s ex-wife. Lynne’s production, McCartney’s heartfelt message, and a soothing melody combine to soften any emotional blow.
10. “Jenny Wren” (2005)
In the trio of studio albums with original material released by McCartney, the 2005 album “Chaos and Creation in the Backyard” stands out. “Jenny Wren,” a folky and slightly mysterious track, exemplifies McCartney’s late-period excellence. While reminiscent of “Blackbird,” it takes a moodier, more melancholy path, enhanced by a compelling duduk solo. Both lyrically evocative and musically mesmerizing, it represents one of McCartney’s finest solo moments.